Showing posts with label Grief. Show all posts
Showing posts with label Grief. Show all posts

March 25, 2016

Five years doesn't seem possible. Her mark is indelible. There isn't much to say, I suppose, after five years. What else is there to think about, to feel? 

I used to see the redemption in her death, the changes in me, in my family, how she breathed so much beauty and complexity into our lives. How I'm a better person, more whole in some way, more in tune with the society of the suffering that surrounds me on all sides. I'm not so sure anymore, not as certain. 

I think, it is what it is.

What else can you say about it? These days I no longer take anything away from her death except that she died. 

Sweet daughter of mine, how I wish you were her. 

March 25, 2015

Four



I would mostly like a few stiff drinks, some yellow Americans and to shut the curtains and lay with Kari in the dark for the day. That's how I feel four years in.

March 31, 2014

My final short essay for Glow In the Woods, writing about Letting Go. You can go here to read it.

July 17, 2013

I never thought of Junebug.

She has always been M, but I sometimes wonder what her name would have evolved into as she aged and showcased her personality.

Stella quickly became Stella Bella.

Leo is still Leo, but I'm waiting for something else to emerge.

But Junebug. That is it.

I read it recently from a mother. Her daughter's middle name is June. And she referred to her as Junebug and my heart burst into applause and then collapsed into grief.


I feel so helpless. Ten thousand Junebugs left unsaid.

June 18, 2013

I know this sounds woefully predictable, but has it really been two years and three months since she died?

I really don't know how to face this time thing, the way life keeps marching forward, how the number of days between her death and my current reality seem to pile on top of one another like steps, allowing me to climb over the mountain of grief that enveloped me for so long. Is this really how the universe heals the brokenhearted? Just give it some time?

Perhaps. If I could offer myself one piece of advice, in the months after she died, I'd tell myself that enough time might go by that it will stop hurting so badly. Hang in there. That's it.


A picture of her sits on the mantle in my bedroom. It's her and her ashes and some rocks we have collected from the river where most of her ashes were spread. I see her every day, eyes closed, dead. I used to kiss her twice daily, press my lips against the glass, eyes closed in unison, begging her to be alive. I used to desperately wish I could hold her for just one more minute and then dream about how I'd study her face and kiss her hands and how I'd hold her naked body against my bare chest and soak in every ounce of her being. If I said anything to her in those moments, I would say I'm sorry. A million times on repeat, I'm sorry, I'm sorry, I'm sorry for what happened to you.

I see her now, observing our lives from her perch on the mantle. She is a part of me in a way she wasn't before. Somehow her death has become commonplace within my inner circle. Natural, even. My firstborn and I talk about her casually, almost every single day. Like she is just another kid in the family. If I say anything to Margot these days, it's usually an unguarded, hey darling. She has made her way into our routines, conversations, experiences, without as much burden, without as much heartache.


Sometimes I think about the night she died and the way my friends surrounded me. And I think that's fucking life right there. That's what it means to be human. I lay in anguish and confusion and fear and my best friends are rubbing my back and holding me and weeping uncontrollably. I can still hear their cries. I can almost hardly bear the profound beauty of this moment, the tenderness. I am not the same person I was before she died. I am broken in a way that will always be broken. But I'm also, somehow, inexplicably more whole because of experiences like the one on the very first night.


I feel brave, for what it's worth. And wickedly vulnerable.


++++

Right Where I Am: 2011
Right Where I Am: 2012

April 22, 2013

It snowed on Margot's birthday.

A blizzard in fact, nearing April.

We trudged around the city by foot, 9pm, peaking in restaurants closed early, wiping snow off jackets, looking for a place to drink, looking for a quiet place to consider the story we find ourselves in.

The day after The Day, we drove to Brown County for a hike up Browning Mountain.









March 24, 2013









Maybe you're here
Or maybe you weren't
Maybe you
Touched somebody
And got burned
The silent sun
Has got me on the run
Burning a hole
In my brain
I'm dreamin' of you
That's all I do 

- Bob Dylan


She's tall. Off the charts, like her sister. Blue eyes, dark hair, even though I still think of her with golden locks. She had her first haircut recently, a trim, short bangs. She threw her head back in rebellion before the sheers made the first cut. Stubbornness runs in the family.

The two of them fight and dance and giggle and then wake up and do it all over again. Stella leads her around from room to room, ordering her every move. You be the frog and I'll be the princess, Stella says cooly, as if she's been through a thousand dress rehearsals. She plays along most of the time but isn't afraid to walk away in protest when she needs to.

She walked at twelve months, talked at thirteen. Exactly like her sister, even though I thought she'd be walking at ten months and talking in sentences by a year. Poor girl. High expectations and kids are never a good mix.

Sometimes I dream of having a son, of his eye color, his mannerisms, what kind of boy he would be.

The sun calls to my girls and having two of them ask about the beach, in addition to their sun soaked momma, means on days off we end up at the ocean more than we end up in my beloved mountains, which is fine by me most of the time. Go water? were some of the first words she successfully strung together.

People say they look nearly identical, but I can see the differences. The youngest has bigger hands and less forehead. A more pronounced Jackson nose like her grandfather. Her lips are slightly thinner.

Lately, while Stella is at school, we've been pulling her mattress into the living room and using it as a launchpad for games and wrestling and forts. And lots of tickling. Underneath her chin. Her left rib. I tickle her feet with my scratchy beard and she wriggles and screams when I don't let up. Nooooooooo daddy, she squeals.

Last night was like most other nights. I crawled in Stella's bed and my girls followed suit, curling up to me on either side, playfully fighting over which two books I'd read before bedtime. I read in my best British accent, which is really a mix of southern twang and Scottish and just about the worst accent you've ever heard. The girls giggle and beg me to read in my normal voice, a request I rarely indulge because reading Owl Moon for the six hundred and twelfth time requires some creativity. We discussed birthday plans and Stella does her best to keep secret the presents waiting for her sister. I squeeze them tight before turning out the light. You. Are. My. Favorite. Girls. In. The. Whole. World. I whisper slowly, carefully, making sure they understand, even though they've heard it nearly every night of their lives. 

Goodnight, Stella Rose. 

Goodnight, Margot June. 

+++

 

March 1, 2013

I'm writing over at Glow In the Woods this week, talking about grief and how it has evolved privately. Please feel free to stop by Glow and read my post, Quietly Forward, and join the discussion.

January 17, 2013

The transite siding on the exterior of the house contains asbestos. The outer walls have insufficient insulation. The furnace needs replaced and the duct work that runs from the furnace to all corners of the house is in disarray, with some ducts leading to no where and others missing whole sections. Some of the electrical work in the house is the old knob and tube variety, which painstakingly needs updated, outlet by outlet and light by light. The roof needs replaced. The water heater is unsafe. The paint on the porch contains lead, which is also true of the window trim and several rooms with wood floors that have been painted. The upstairs bathroom needs replumbed. There is water damage in the hallway. The attic needs collar ties and the side door of the house is held shut by two nails and a screw. The original wood floors are buried underneath carpet and tile and glue and tar paper. The gutters are falling apart and there are at least five places on the first floor where you can see through holes into the cellar, which is a dilapidated mess in itself. Did I mention we need a new roof?

Suffice it to say, after decades of neglect and hard winters and one hundred and forty-three years of aging, our poor old home has been dying a slow death.

We are here to bring it back to life. 

+++

My second daughter died on March 24, 2011. The day before we left the hospital, we were planning our getaway. Going back to our life seemed damn near impossible, facing the same daily routine, going about our business as usual. It seemed like a cruel punishment, another layer of shit to add to the reality of going home without our Margot. So we schemed and planned our escape, talking over a hospital bed about where we could move to or how long we could travel for. In the end, we purchased a beat up motor home that we only used for one weekend.

We needed our friends. Needed a place for Stella to feel comfortable while we grieved. We needed to try and have another baby, and needed to have our same Doctor along for the journey.

For twenty months, we stayed in Los Angeles. We grieved. We got pregnant. And then we had Leo and some color returned to our charred hearts. And then some of the fog lifted, out of our weary minds, and we decided it was time for a new beginning, however brief or long this Midwestern experience will be.

+++

We have toiled over this house, day after day, one of us going in to scrape or paint or clean or fix, slowly bringing our old home back to life. We have hauled enough trash out of the house to fill a five hundred and forty cubic feet dumpster. We have scraped tar paper from the wood floors, inch by literal inch, with steamers and heat guns and paint scrapers and chisels, all while on our knees, with blisters on our palms and cramping in our legs and the kind of shoulder ache that wakes you up in the middle of the night. We removed an oil tank from the basement and walked through cobwebs and repaired drywall and we're not even close to the end.

The strange truth of the matter, as we bring this old home back to life, is that the house on Fletcher Avenue may be returning the favor. 

December 24, 2012


Twenty-one months today, Christmas Eve. 

Her stocking is so tiny. Appropriately, I suppose. White fabric and red stitching. Empty.

I’ve been thinking about putting a handwritten note in it this year. Something to fill the empty pocket.

I’ve thought about adding a note every Christmas, and keeping them in there year round, until I add another note, until her stocking has lost it’s color and the stitching is coming apart and it’s stuffed full of letters from a heartbroken old man, still hopelessly in love, still missing his little girl.

+++

December 24, 2012:

Dearest M,

I’m sorry.

Love,

Dad

November 26, 2012

Leo had been crying for thirty-five minutes from his pack n play. And not just those tiresome whiny sounds, where more drool leaves the mouth than tears leave the eyes. These were the shrieking, new upper teeth cries, the kind of noise that can be downright debilitating, sending your heart into your throat and your hands into your ears.

I was folding laundry to distract myself. Stella was quietly building a fort. It was 8:30am yesterday morning and we were hunkering down for the long haul.

It wasn’t until he finally fell asleep that I looked over at Stella to initiate some sort of 'we made it' hug. She seemed particularly downcast, more troubled than I’ve seen her in the past. Her head hung low, her eyes staring downwards at her hands as she shuffled her fingers over a small piece of broken balloon, the kind of listless fidgeting you do when you’re down.

It’s hard listening to Leo cry for that long, isn’t babe.


It’s not about that Dad. She says it so matter of factly, so confidently, as if she's three going on fifteen.

It’s about her, she said, pointing to the picture of Margot on our mantle.

I wish I had a sister.

It was the first time I remember her being sad about Margot for her sake. Her despondence wasn’t for our sake and it wasn’t an excuse for having a rough day. I could see the internalization happening in her eyes, the strange feeling of loss, of what could have been.

I pulled her close and we started crying together.

I love you sweetie.

I love you too Daddy, she whispered back.

Will you help me remember Margot? I asked.

Yeah.

Will you help me remember Margot? She asked.

Yeah.

October 18, 2012

[Preface: In light of my revamped blog look, which is nearly finalized, and a new logo, designed by my talented friend Kate, it seemed appropriate to write a pathetically long, memoir-ish post about why I am still blogging, after nine years and five hundred posts.]



Confession #1: I have been blogging on the internet since the summer of 2003. You won’t see any of those first posts, but they are there, meticulously counted and indexed in my own personal archives, forever saved in draft format so I can (thankfully) be the only one who sees them.

Confession #2: I have been blogging in my head since sometime in the fall of 1986, when I first remember the need to scribble down and document the happenings of my life. I was fresh out of kindergarten.

+++


If you were to go back in time, to my late elementary and junior high years, and examine my bedroom, this is what you would find: a single bed, which required a small climb to get into, but was sufficient none the less; a metal desk with a wood veneer top; a closet full of socks and white washed Wrangler jeans and the only pair of Nike shoes I could afford, which usually were blue or maroon or a strange combination of colors that persuaded stores like Foot Locker to lower the price until it was affordable for kids like me, who wanted Nike shoes but couldn’t pay for the standard white or black ones. There was a plastic orange nerf basketball hoop affixed to the top of my closet door; a small stack of my favorite books, which included Where The Red Fern Grows, Hatchet and Baseball Fever; a drawer full of journals filled with abbreviated notes about my life and diaries from road trips, both of which included little doodles and printed pictures taped within the pages; and last, but perhaps as telling as the journals that filled my drawer, you would find a giant, wall sized bulletin board with blue trim that my Grandfather built for me. This was my masterpiece, the place I called my own, the board on which I could document my collecting habit with meticulous detail and a level of grandeur that could only be rivaled by the comic book and baseball card collectors of my day.

The board represented years of collecting and organizing, from the insanely trivial, like when I spent an entire summer consuming Reeses Pieces and then saved and hung each and every bright orange plastic wrapper (four thumbtacks per wrapper, of course), to the more important things, like Baseball game ticket stubs, back when they were hard tickets and simple in design, with serif fonts and seat numbers and sometimes, a color picture of the team logo. I had magazine cut outs of iconic pictures of the day, like Bo Jackson posing with a baseball bat and football gear, and the cover of Pearl Jam’s Ten record and the famous poster of Michael Jordan soaring for a dunk from the free throw line. Along the top of the wall sized bulletin board were Baseball hats, hung systematically on nails, each representing a different team.

Eventually, when it was time to leave the home of my childhood, I packed up my vast collection in boxes, and then, promptly, started new, more appropriately aged collections, like patches from every country I’ve visited, vintage picture frames and city maps.

+++


Confession #3: If I didn’t stop myself over the years from going into an all out collecting frenzy, I would have gathered license plates from the forty-eight states I’ve been to and t-shirts from each of the National Parks I’ve ventured in and rocks from every mile of the Pacific Crest Trail I’ve hiked and a small piece of timber from every batch of reclaimed wood I’ve worked with over the past several years.

Confession #4: I once had the idea to cover an entire wall with a series of maps from every state in America, neatly laid out with where each State belonged in relation to the other, and then to use a highlighter to mark every single highway and interstate I traveled on in each of the states. This is something I still dream of doing for my kids, since I can now accurately keep track from birth.

Confession #5: When my family bought our first desktop computer, I spent an entire Baseball season inputting every single Houston Astro’s box score into a spreadsheet purely for my own statistical analysis. All 162 games.

+++


So you can imagine my sheer relief and astonishment when I first learned about what blogging was. My mind went racing with questions. There is a way to organize all of the ways I already document my life? A place where I can write and post pictures and keep track of all the stuff I’m already keeping track of? And it will be in one place? And I can have some creative control over how it will look? It was an idea I had spent my whole life waiting to find out about, the light at the end of a long tunnel dedicated to documentation. 

Nine years and five hundred some posts later, Jack at Random is simply a place where I can document my family record through writing, photography and statistics. It’s my creative, writing and collecting outlet, a space where all of my hobbies can come together under one roof. It’s a place where I can reflect and remember what we were up to in any given month. It gives way to all of the content that goes into the books Kari prints every two years, the physical documentation of our lives. It has survived many unproductive tangents, like when I wrote highly uncritical film reviews or when I broadcast the messy personal details of my faith deconstruction or when I briefly delved into politics in the summer of 2008.  It has plowed through several years of a readership that consisted solely of my wife and mother. It has documented many of the books I’ve read and the films I’ve watched over the past decade.  It has been with me through nearly every month of my life since I graduated from University, including living in Sydney and moving to Los Angeles and the two hundred and sixteen days in 2007 when Kari and I when gallivanting around the world. It was here through my vocational ups and downs, from preacher to eBay to woodworker.

It was here waiting for me with a blinking cursor when my first daughter Stella was born. And when my second daughter  Margot died. And when my son Leo was born a year later. 

In thirty-three years of living, there have been many things that I have quit or fell out of love with. I am not, by any stretch of the imagination, an ambassador for staying the course. But I can say with some measure of certainty the things that have been most consistent throughout my life: my love for the game of Baseball. My penchant for collecting. A ridiculously happy marriage. Not eating cheese. And this blog.

So I suppose, to answer the question of the piece, I blog because I’ve always been blogging, on scraps of paper and bulletin boards, in leather bound journals and in countless collections that currently live in small tin canisters and boxes and behind glass frames.


The answer to why I blog is fairly straightforward once put into context. The harder question to answer is why I have spent a lifetime meticulously documenting my journey through collecting objects and experiences and data. I have asked myself over the past several years why I do these things. What prompted me to fill all of those journals with pictures and doodles and notes on my normal life? Why on earth would I collect meaningless things like candy wrappers and box scores? Why do I feel the need to keep track of the countries I’ve traveled in by collecting patches? Is it simply a personality trait, a complicated strain of my DNA? Or does it fill a deeper need to remember where I’ve been? Or a need to feel like I’ve done something with myself, however trite some of these collecting endeavors may have been?

The answer, I’m afraid, after years of contemplation and interesting discussions with my wife, is that I don’t know.

I simply don’t know.

What I do know is that my three and a half year old daughter likes to collect things. Objects she has deemed worthy of keeping and protecting at all costs. A series of rotating boxes contain her “special treasures” which includes, among other things, three marbles, a screw, one dice, one wooden scrabble letter, small rocks from our trips to the beach, a painted quarter and what appears to be a small metal hook she found in the yard one day. This small collection was started all on her own, over a year ago, and is revered and treasured almost as much as her stuffed animal sleeping partner, George. 

Her more recent collecting journey has led to those pennies you retrieve from an apparatus after cranking a wheel, which flattens the penny and stamps something kitschy onto it. She has a penny from the LA zoo, one from Northern California and one from Budapest that was worth more to her than anything else I could have brought back (expect for, perhaps, a twirly pink dress with different shades of pink rainbows on the sleeves and princesses on the front who were dressed in pink).

After her sister died, we started collecting rocks from the river that we poured M’s ashes into. We pick one special rock per visit and add it to a glass jar that sits in Margot’s corner of the living room. We rarely go anywhere special these days without her wanting to collect a rock for Margot’s jar, an act so common that it’s more and more beautiful and less and less heartbreaking.

I don’t know why I have spent most of my days documenting my life, or why my daughter seems to have picked up the same habit, but as I peer into our future of collecting rocks and pennies and taking pictures and perhaps even posting blogs together, I find the best companion a Father could ask for, the ultimate pay off for all these years of collecting.

September 29, 2012

I'm back writing for Glow In the Woods this week, talking about donating Margot's heart valves and the story that is yet to be written. Please feel free to stop by Glow and read my post, She's In California Somewhere, and join the discussion.

August 27, 2012

Dearest M,

It doesn't really go away, does it? The pain returns as freely as it dissipates, like when the joints in my hip flare up, like the pain in my back, always there waiting for me after a rough nights sleep or carrying your sister on my shoulders for way too many blocks.

It's gotten so busy around here, with your brother and all. I'm afraid I haven't stopped long enough to just sit with you. I find myself alone for the first time in months, I mean really alone, in strange cities and foreign languages, and you're all I can think about.

Slow down for a day and you rush in like a freight train.

Hey dad, you say. Remember? 

Yes, darling.

We have done so well, you and I, working toward integration, living together without as many tears, without so much heartbreak. I see you sitting there on the shelf and I know the pain has evolved. The space where you reside in my brain is no different than where the other two and your mother live, right out front, covering more mental and emotional ground than everything else combined, and even all of these thoughts about you have morphed into something vaguely uplifting. We are progressing. I can see this.

And then I get alone with you - without you - and everything seems to crumble for a time. No matter the progress, however important it may be, no matter the integration and the beauty, the acceptance, no matter how much I mentally talk myself down from the pain, no matter how much I tell myself to keep walking, you, you, you, my second daughter with blue eyes and big hands and Bray cheeks are never coming back.

I miss you something awful my dear. I would give anything to hold you again, just a little bit longer. Another hour or two, or another day. Sometimes I wish we hadn't donated your heart valves so we could have had more time. I wish I could have followed you around the city until you ended up back in my hands. Your sister is getting so big and so old and I desperately wish you guys were playing together. Movie nights aren't the same without you. Or going out for dinner or taking little trips, or anything else for that matter.

Whatever is left of you and however complicated this father and daughter relationship is, I love you Margot June.

Dad

June 25, 2012

Fifteen months ago, my daughter died. I held her lifeless body in my arms. I kissed her black hair. I had her cremated and to get close to her I have literally tasted her ashes. This reality will be with me for the rest of my days.  She is our second child, and she’s gone.

Somehow we crawled our way through the past 15 months with out her. Somehow we did it while facing the daily anxiety of another years' pregnancy. And here we are. Older. More wrinkled. Less naive. Much more empathetic. Perhaps even more fully human.

As I reflect back on this year, one thing is incredibly clear to me: I am not as strong as I once thought. I have discovered over these long months that there are things in this world that can truly break me. Death is no longer some abstract reality that, as I once believed, is simply a part of life.  It is bigger, more painful, than I knew.  It sweeps through a persons life and threatens to destroy everything.  It knocks you to the ground; it breaks you.

Living through this year has been unbelievably traumatic. It's not just the day you lose your baby that breaks you, it's the living with out one of your children, day after day after day. It's the ongoing trauma of facing the world with our her. For five months, I barely ate. For nine months, I cried every day. Even now, although I can finish my food when I think of her and I can string together several days with out tears, I have come to realize that much of this sorrow will actually never leave me. She will always be mine. And she will always be gone.

And yet the truth is, my world has not fallen apart. My friends and family have supported me. Spoken her name. Cried for her.  Held my hand as I walked the terrifying journey of subsequent pregnancy. They kept calling when I couldn't pick up the phone, kept knocking on my door when I couldn't answer, and kept asking how I was doing when all I could do was cry for months and months. My living daughter has danced in my arms and covered me with kisses. And my husband...well, there are never the right words for him. We walked this road the way we always do, together, side by side, with deep love.

Often I think that the reason my world did not crumble to ash (like my heart did) was because it was held together, not by me, but by the people who love me. And I can hardly believe my good fortune to have them all.

These days, there is a saying that keeps going through my head. It's something my doctor said to me when I asked when I should deliver Leo. "Let's get to 38 weeks, and then let's take the money and run."

Take the money and run. That's what we did, six weeks ago, and my baby boy came alive into this world. And now I think of that phrase all day as it pertains to making peace with this life we are living.
Take the money and run. Don't be too greedy. Accept. Make peace. Seize the joy while I can. Let go - not of her - but of the hard truth that this god awful tragedy happened to us. Be grateful. Hold my first born and now my third born tight in my arms and weep for all we do have. Because it feels as if it could all be taken from me at any moment, and I don't want to look back and wish I could have reveled in the good while it was mine to have.

+++

I’m finding that hope and peace and relief are washing over me in waves, more and more, each day of Leo’s life. My body, the physical "me," hurts so much less these days. I have felt an acute physical longing for my daughter for all these longs months. It's as if my body had been continuously searching for her, looking for my missing child. When Stella was born, I remember that leaving her in order to run errands or go to the gym felt like leaving a part of me - a vital internal organ of some sort. I felt tethered to her by a kind of invisible umbilical cord, and I never felt quite right until I returned to her. I had the same feeling for Margot. But there was nothing on the receiving end of that longing, only absence, emptiness, ashes. It hurt in a place deep in my bones, a place I can find no adequate words to describe. (This pain is part of why I barely touched another infant over this long year. I have not held or tickled another baby, even though there are many in my day to day life that I love. Mostly, my body forced me to look away, stay away, because the emptiness of my own arms would threaten to suffocate me.) And then Leo entered the world and suddenly this layer of pain just...lifted. My body took a deep breath, pulled him close, and some evolutionary need was satisfied.

[In the same breath I feel that I must be clear that Leo’s life does not help me feel any more ok about Margot’s death.  I can imagine that most of the world (even perhaps myself in those early days) would assume that somehow his life would make her death more palpable.  I’m sure this is what my old babysitter meant when she said, “now you have a new baby!” But even though my logical brain knows that Leo would not be here if M was, I’m shocked how little that matters to my heart.  I gave birth to all three of my children.  And I want them all.] 

Mostly, in spite of the heart ache, right where I am is a good place. Happy even. I can smile with out holding back and wishing there was another expression I could make besides a smile - something between a smile, grimace, scream, sigh and cry - that would better reveal my state of emotion. The sunshine no longer mocks me and the happiness of the rest of the world no longer stings.  In many ways,  I feel myself coming back to the world, as if waking up after a long winter of sadness.  My heart ache for my daughter is ever present, but there is room in my heart now for happiness as well. I feel the urge to travel again, my most beloved of interests, and that desire alone shows me that I am evolving, that I no longer need to spend every night on the couch crying and talking about how we will get through another week. It's hard to believe that every single night for 13 months, we talked about M, about losing her, about surviving with out her. I would say that in a way I grew very used to sadness. So now, in this new spring, it might just take me a little while to remember how to be happy again. But I'm so damn glad it's time.

May 28, 2012

Fourteen months and four days ago, my daughter died. In a freak accident, in my front yard, a week before she was due. I can say that now without crying, without wanting to crawl into a hole, without my guts doing somersaults. I can say that from the standing position, my back vertical, my toes curled up against the ground. I suppose this is one way to sum up right where I am:

I'm standing.

However wobbly, however shaken, however much I lean to the left, however much my shoulders hunch and my heart sags, I'm standing.

Gone are the days of slogging through the thick mud, on my belly, in the darkest of dark, pulling myself ahead by my fingernails, one tiresome inch at a time. Gone is the feeling of being hit by a bulldozer every time I wake up and remember what happened, that yes, my daughter really did die, and yes, this is my life. Gone are the screams, the meltdowns, the desire to dress myself in black and the insistence that every single friend understand my pain.

Call it progress or evolution or acceptance, but something changed after twelve and a half months, something shifted in my grief, tectonic like. The mud turned to dirt and the slogging turned to crawling and I found myself opening up again to the world, seeing colors, dreaming again, finding enjoyment outside of my wife and living daughter. I could tell even then, six weeks ago, that this wasn't going to be one of those brief moments of respite before going back to the mud again.

Margot - or at least the idea of her - is so much a part of me now, so integrated into my being, into my story and conversations and friendships and daily life, that the longing for her has subsided. The deep ache I once had for her isn't as intense because of this integration, this beautiful and abstract coalescence of our stories coming together. I don't physically feel her presence, or see her in rainbows or birds or visions, yet her story has altered my own so thoroughly that it feels like I carry her with me wherever I go. So much of who I've become over the past fourteen months is because of her and I am grateful for the transformation that has taken place within me, the gifts from her story, from her brief existence. 

For the first time in my life, I feel the full range of human emotion, both the elation and the sorrow, and it grounds me to the earth, to suffering in a way that I only knew in the past on a rational level. It's like seeing the color black for the first time, without turning my head away from it or wishing it away or dismissing it. And the color may be black, but acknowledging it feels like something, and the black sure makes the reds and shades of purple all the more beautiful.

Her story has also taught me how to live within the complexities of the happy and sad confines, knowing that each has it's limits and each could be followed up with the other, even in the same moment. I am sad and I am happy and some days these two emotions live together and some days they are lopsided, tilting me toward one or the other. But to be okay with sadness, to sit with it and process it and feel the heartache, without pushing it away or trying to get over it, feels so profoundly freeing.

There are moments when the pain makes all of these gifts seem worthless, moments when I miss her with the vivid rawness I experienced in the early days, moments when the normality of her death is met with an equal measure of incredulity. But they are moments now, spaced between the integration of her life into my own, spaced between the gifts, spaced between the beauty, however black and red and yellow the beauty may be.

__________________________

This post is part of Angie's epic Right Where I Am Project that was started last year. It's a way for the community of babyloss parents to capture the current state of their grief.  I wrote a post last year, 67 days after Margot died, and then took on my own project to capture the other 178 people who participated in the project last year.

May 21, 2012

My son was born and I have scarcely a word to write about it. A blinking cursor has stared me down for the better part of nine days and I'm not sure there has ever been a greater discrepancy between the amount of thoughts streaming through my head and the inability to put any of these impressions and observations into words. Perhaps this says enough.

+++

I thought seeing Leo would mean seeing Margot and it never occurred to me to think otherwise. The reason for his existence seemed inseparable from her, his life intrinsically fused to her life and death in a way that was concrete, a foregone conclusion. And then I saw him and I only saw him. He wasn't a continuation of Margot's story. He was just himself, without attachment, without her. His own revelation.

Margot is still present, as close now as before Leo, the foundations of her memory being built by the gifts she bestows, by the grief, by the transformative nature of experiencing her. If Leo has changed our grief at all, it's in the distraction of taking care of him, in the expansion of our hearts for another child.

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I forgot how long my mind has been living in the future. How long we have been waiting, biding our time, distracting ourselves, ticking days off the calendar before lunch time. Perhaps the greatest part about having Leo, other than the obvious, is the way we can be present again, fully here, without a future date branded onto our brains. It's like seeing the world in color again, without the future and the anxiety graying over everything.

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We were up last night, mother and father, around two in the morning, tending to our crying kids. While Leo struggled to learn the art of nursing, jerking and crying and latching on repeat, Stella woke up in a fit of tears. The moment almost felt sublime, miraculous really, two kids, crying in unison, both here, fully present in our home. I gave pause before tending to the eldest, thankful for this chance, for the added noise. The sound of their tears echoed off one another like sweet relief, the sun at the end of a long, gray winter.

April 23, 2012

I'm writing over at Glow In the Woods today, talking about what it feels like to be pregnant again. Feel free to stop by and join the discussion.


April 7, 2012

There is a jar, an old canning glass jar, maybe six by three and clean as the day it was made. It's full of small rocks that Stella and I have picked out from Margot's River over the last year, at the spot where her ashes first entered into the earth. There are some faded black stones, sharp and pointy and ugly.  They lie at the bottom of the jar, like the dark foundation of grief. There are a few small white stones strewn about, little gems that are often hidden in the water, under larger rocks or branches. The kind you have to search for with diligence, and then work to get them out, getting your feet wet, moving debris out of the way.

Most of the stones that fill the jar are black and white, both colors colliding off one another like shadows. The hues unexpectedly come together beautifully, the darkness and lightness, the gloom and the hope, the joy and the heartache. There is one particular large stone, of the black and white variety, that currently lies at the top of the heap, the one we picked out on her birthday.

There are other things in her corner.

A tea light candle inside an old glass vase. The hundredth, or maybe the thousandth one that has been lit for her. A tiny medicine bottle with an equally tiny wildflower. A photograph of water and sky. A necklace and handmade ornament with her name stamped onto them.

A small wooden hope chest sits on the shelf, just across from the rocks, in front of the picture, as near to the candle as it can be. It was a gift from my mother, from Budapest. It's brown and ornate with a copper colored clasp. Inside is my M.

Little gray specs of her, white bone fragments, the ashes, my most treasured possession.

+++

I father Stella by talking to her, feeding her, changing her, teaching her, showing her, by wrapping my arms around her whole body and hugging her as tight as I possibly can. I Father Stella by whispering in her ear every night the same phrase since the evening she was born. You are my favorite girl in the whole world.

I father Margot by cleaning.

I carefully lift up sacred objects and dust underneath them. I spray and wipe the glass frame until it shines. I scrub the rocks until they glisten. I attentively hang her necklace so her name is facing out instead of in. The dried up wax gets picked at and pulled out until the vase is clean and ready for more. I wipe and dust and scrub her space because there is little else to do.

Cleaning and cleaning, always cleaning.

+++



March 24, 2012

My hands are in a fist and I punch the wooden door like a battered boxer, forced into the corner of the ring.  Swinging wildly, I drop hooks and uppercuts, across the top, across the belt of the door. The door that prevents me from witnessing my daughter's birth, from holding my partner's hand, from being at the epicenter of the most life altering moment of our young existence.

SLAM. SLAM. SLAM.

It sounds like flesh on wood and it is all I have going. Make a raucous. Throw a fit. Beat the door senseless until they are forced to inform me. 

SOMEONE TALK TO ME, I yell. PLEASE! PLEASE TALK TO ME! 

I pace like a mad man, back and forth across the carpeted hallway, under the florescent lights, from one wall to the other. A woman labors vigorously in an adjacent room, panting and grunting, determined and focused.

+++

It was the 24th of March, 2011, when the accident happened.  It was going on 5pm in the evening. The kids were outside playing together. I had just gotten Stella up from her nap and Kari was just coming home from running a work errand. 

She held Stella for a moment to say hello. And then she tripped on the sidewalk, a few steps from our front door.

Her belly landed first.

Ten minutes later she's lying on a bed in labor and delivery.

A nurse frantically placed the fetal monitor on her belly, on this side of her belly, on that side, up and down and everywhere in between. Nothing.

No, no, no, no, no, no, no, we trembled on repeat, almost under our breath, as if the fear was acting like a silencer to the scream inside.

Our Doctor rushed in. He wanted to see our baby, to see if there was a heartbeat. An ultrasound machine suddenly appeared, within the blur, within seconds.

And I thought I saw it too. A flutter on the screen. A movement. Hope.

I see something. Let's take her now, he said in a hurry. He was halfway out the door before he finished his thought. 

+++

There is a small window in the wooden door that I pound. From the window, I can see a room drenched in white, a surgical preparation room, with instruments and tables and machines. In the corner of the room, I can see the door that leads to where Kari is. Nurses and doctors come and go frantically from her room, two of them at a time, three at a time, coming and going, masks on their faces, blood on their plastic gloves.

SLAM. SLAM. SLAM.

A few more nurses come racing down the hallway, slipping gloves on their hands as they approach.

I think I hear crying! one of them says to me excitedly, as she opens the door and brushes past me.

Minutes go by without a word. I peer through the window in vain, trying to lock eyes with anyone who will look my way. I can feel the pressure building as the minutes pass by without news.

I call my parents. Something happened, I tell them.

SLAM. SLAM. SLAM.

Suddenly an older nurse cracks the door open.

Did she make it? Is she alive? The words spill out of me.

We are doing the best we can, she says. We are doing the best we can.

+++

There were four rooms and a hallway that I can remember. There was the room where Margot was born. There was the room where I first held her. There was the room where we waited for the blood to save Kari. There was the room in ICU where her blood started to clot. And there was that hallway, where I punched and waited and yelled.

Four rooms and a hallway. They are branded on my brain like it was yesterday, seared at the surface, hovering emphatically over the totality of my memories. They tease the innocence of my childhood, scoff at the freedom of my youth, stare down the adventures of my twenties. Driving a rusted motorcycle up a mountain in Nepal, with Kari's arms around my waist, racing the setting sun, suddenly doesn't count for as much.

+++

From the window through which I stare, I can see the frantic pace of the nurses slow down. Everyone seems to be moving in slow motion. One nurse throws her plastic gloves into a container. Another nurse sobs uncontrollably as she exits the room Kari is in.

SLAM. SLAM. SLAM.

My punches become weak, faint even, as I feel the impending doom coming over me like a fog. My mind collapses into my heart, and together they crumble into a heap. I fall to the hallway floor.

An older NICU nurse opens the door and appears solemnly before me.

I'm so sorry, she says, but your daughter didn't make it.

+++

Two nurses led my second daughter and I into a dark, empty room and shut the door behind us. We were in there alone, her and I, father and daughter, bonding over our broken hearts, sharing moments too holy for words.

+++

And then they said that Kari was struggling, that she couldn't stop bleeding, that they were doing an X-ray to make sure a sharp instrument wasn't stitched up inside of her.

And then they came in twenty minutes later and said they were still working on her and I could tell by their shaken voices that something wasn't right.

Are we talking about life and death here, I asked in a dumbfounded huff, between the sobs, while holding my little one against my chest.

We are doing the best we can, she said. We are doing the best we can.

+++
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One year later, and these seven words hang in my heart like an anchor.

We are doing the best we can.

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